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This week's story, Voice Lessons by Kate Christensen, tells the tale of a woman taking singing lessons with a very unusual teacher. It's a wonderfully layered short story with some truly surprising twists and turns.
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Sometimes the wisdom of a book is concrete. It lays out in discrete words and images some knowledge the author wants to pass on. Other times the wisdom is obtuse; the meaning is ambiguous and needs to be mentally measured and prodded to be understood. The reader is left staring at his or her reflection in the cryptic mirror of the words trying to figure out what really happened.
I've gone down this odd route for a blog post because I just finished a really good book called Kafka on the Shore that falls into the obtuse category. It was written by a Japanese novelist named Haruki Murakami. Don't let my introduction, or the name of the novel, scare you; Kafka on the Shore is fairly short at 448 pages and an easy read written in straight forward prose.
The story unfolds on two separate threads that alternate from chapter to chapter. The first thread follows a teen named Kafka Tamura. Kafka is haunted by his abandonment by his mother and a disturbing oedipal prophecy made by his father. The second thread follows a half man named Satoru Nakata. (I call Nakata a half man because during his childhood he experienced something that, for lack of a better description, stole part of his soul.) Nakata is a blank slate, and a man with a weak shadow, pursuing a predestined fate he doesn't understand.
These two threads weave a story that is at once very entertaining and very mind bending. The duality of the reading experience is further carried out through the themes of the book. Everything has two sides, two meanings - it's two, two and two through out the book. I imagine even the mysteries of the book would come clearer on a second reading and the book is good enough to warrant it.
Only you can judge whether this novel sounds like something you would be interested in but if you find yourself at the library or the bookstore and you're looking for something good to read think about this blog post and Kafka on the Shore. We will be inexorably connected from that point on.
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From what I can determine, Book Glutton currently only offers classic and public domain works. The list of titles isn't extensive, but it's growing every day. In either a funny coincidence or an example of the site's developers desire to please; on the day I joined I searched for Moby Dick and it wasn't available but a day or so later it was added to their collection.
If you're like me and have a hankering to read more of the classics or you want to explore the convergence of print and digital presentation check it out. It's certainly cheaper than a Kindle.
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A week or so into the climb I found a guide. The guide indicated I was on the right path and offered comforting directions. Even so the going was slow. Every once and a while there would be a spectacular view that reinvigorated me but for the most part it was a slog through confusing thickets of story and foul human muck.
As I neared the summit my expectation for the payoff filled me with excitement and I ran ahead. I knew that a grand vista must be right around the corner; a vista so impressive that it would warrant the effort expended to reach it. Unfortunately, as I turned that final corner, thick clouds rolled in and the air filled with the sounds of a carnival carousel. I was confused and disoriented and I set the book down.
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The novel opens as the protagonist wakes to find he knows nothing of his life. As he explores his surroundings he finds a note from himself that launches him on a bizarre journey of discovery. On his tail during this journey is the scary and brilliantly weird Ludocivian - a conceptual shark that lives in the world of ideas. Hall uses this passage on a page by itself to introduce the villan.
The dark shape glides up into the flow of conversations and stories, swims through the word-hum of packed Saturday night bars, circles the loops and edges of exchanged mobile numbers. A telephone call is misdialed and, miles away my unconscious self shift in sleep. disturbed by a ringing bell. From four degrees of separation, the shadow under the water catches the scent. A curved, rising signifier, a black idea fin of momentum and intent cuts through the distance between us in a spray of memes.
The frailty of memory, the evils of group-think, the power of ideas for both good and evil are among the many things explored. It's a really great novel. I highly recommend it.
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While on the subject of good reads, I've been reading a lot of fiction this fall and I've been lucky in that everything I've picked up has been good. You could do worse than read any of the following:
- Lois Lowry: The Giver
- Terry Pratchett & Neil Gaiman: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
- Matt Ruff: Bad Monkeys
Peter F Hamilton: Pandora's Star and Judas Unchained.
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I was already a big fan of Hamilton. I've previously read the three works of his Night's Dawn Trilogy as well as Fallen Dragon and enjoyed them all. Unlike some of his peers, Hamilton's novels work for me because he doesn't let the science get in the way of the fiction. Like most good sci-fi his novels are about ideas but he doesn't get too worked up about connecting the dots of his propositions. He's also more of an optimist than many sci-fi writers so the worlds he creates are refreshingly bright instead of the drab warrens of despair we are so often faced with.
And what worlds he creates; vast stellar empires populated with varied and fully developed races and governments controlling technologies of awesome power. It's not all mind bending weirdness though. Part of what appeals to me is that the protagonists tend to be people who act and speak in a recognizable manner. There are differences, for sure, but the worlds have enough continuity with the present that you can imagine yourself immersed in their machinations.
In the case of Pandora's Star, Hamilton has created a society of humans who have expanded out into the galaxy with the help of wormhole technology. The problems of pollution, over population, and aging are all distant memories. Feeling old? No problem; go in for a rejuvenation treatment and get your cells reworked back to their twenty something versions - raging hormones and all. That last fact creates more than one amusing situation where some middle aged character has to witness their horny, rejuvenated elder cavorting.
Against this backdrop of limitless real estate and near endless lifespan, Hamilton puts the human race in grave danger and sets in motion a series of story lines that illuminate the struggle to save our race. Hamilton's style actually reminds me a lot of early Tom Clancy with it's fast paced and intertwined mix of political and technical intrigue. In this case both the political and technical stuff are all made up but it has the same cadence as one of Clancy's action/adventure novels.
Good stuff.
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